Tuesday, October 22, 2019

Interview with Book Designer Nuno Moreira

Interview with Book Designer Nuno Moreira The Perfect Book Cover: An Interview with Graphic Designer Nuno Moreira â€Å"The perfect cover is seductive, mysterious, puzzling.†At Reedsy, we have the chance to work with exceptionally talented and creative people. Whether they express themselves in words or images, they are always striving for their creative output to reach a level of perfection that each of them defines and idealizes in a different way.Today, Nuno Moreira, a Portuguese graphic artist now residing in Tokyo, offers us what may be the â€Å"perfect† definition of a book cover. Before that, he outlines the differences between working for a publisher and working directly with an independent author; and explains how a lousy cover first got him into book design.But get to the â€Å"perfect cover† question. It’s worth it.Hi Nuno, great to have you here. You’re a freelance cover designer based in Tokyo, and work predominantly with independent authors and small presses. How did you first get into book design?Hi there, thank you for the opportunity. I starte d working with books and editorial design back in Portugal, in 2007, designing books for a handful of publishers, most of them no longer in activity nowadays. It all started because I was reading a book by Alejandro Jodorowsky and the cover was just horrible. I stopped and thought to myself: how can such provocative ideas be hidden behind such a lousy cover? So, I immediately put the book aside and wrote an email to the publisher. Months later I found myself working not for that publisher, but for two others and then things just gradually took from there. Basically, Jodorowsky is to blame for my book cover practice!I always loved reading and being surrounded by books and magazines and with time it only got worse (in a good sense of course). Since then I started art directing for Editorial Estampa - a publisher with over 50 years in Portugal - and then, slowly I started taking commissions from varied publishers and authors. These last 4 years I’ve been designing mostly for ind ependent presses and self-published authors in the US and UK.

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